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Shot at 42n: Tremaine Emory x Bstroy for Office Magazine
Tuesday, March 12th, 2024

 



 Dieter "Du" Grams, Tremaine Emory, Brick Owens


"Tremaine operates the same way in his speech as he does in his designs, weaving together comparisons, references, and connections between visual art, music, fashion, race, politics, and academia — and always, always seeking to reveal the bigger picture."


'The Black life is still so much about survival. Most haven't had the opportunity to specialize and live off art in a professional way. I will say, V did an excellent job of employing people of color, and equating their experience to an artistic education, making sure they’re valued even if they don’t have a certificate from a school.' — Du of Bstroy


“It’s funny, people say to me, ‘Do you think you got the aneurysm because you work so hard?’” Tremaine continues. “And for one, no I didn’t — they’re hereditary. But even if it was the cause, I wouldn’t change a fucking thing because I wouldn’t have been able to make it this far if I didn’t work how I worked. Being mediocre isn’t allowed for Black people, and part of that is working all the time. It’s unfortunate, but that’s the truth.”

  

Read the full article here.

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Shot at 42n: Story of a State Super Bowl Ad
Sunday, February 11th, 2024

Nine Days Travel South Dakota Music Video

Nine Days collaborated with Travel South Dakota to bring their famous "Absolutely (Story of a Girl)" music video set to life at 42n. First aired during Super Bowl LVIII, the reworked "Absolutely (Story of a State)"  encourages viewers to take a closer look at what South Dakota has to offer.

Tourism Secretary Jim Hagen wants everyone to know that South Dakota, famously home to Mt. Rushmore, is more than just a "one-hit wonder". 

 Nine Days Music Video ShootNine Days Performing Absolutely (Story of a State)

Nine Days Camera Monitor Nine Days Bathtub

Nine Days Camera Monitors Nine Days Band Group Photo

Watch the full music video here.

Shot at 42n: Stella Jones for Puss Puss Mag
Wednesday, January 17th, 2024
Stella Jones Stella Jones

As Stella Jones graced the set of Studio 42n, anticipation filled 
the air for what promised to be an unforgettable shoot. With its 
state-of-the-art facilities and expert team, Studio 42n 
provided the perfect backdrop for capturing Stella's beauty and 
allure. From meticulously curated sets to innovative lighting 
techniques, every detail was crafted to perfection to 
ensure a flawless outcome.

Stella Jones Stella Jones

                                   Stella Jones

Stella Jones Stella Jones

                                  Stella Jones

                                  Stella Jones 


Order your copy of issue 18 here.
Photographer: Cameron Postforoosh
Makeup: Jezz Hill
Nails: Stephanie Hernandez
Photographer’s assistant: Bogdan Kwiatkowski
Stylist’s assistant: Delaney Williams

 

Shot at 42n: Efron Danzig for Office Magazine
Friday, December 15th, 2023

Efron Danzig Office Magazine Cover

Despite residing in New York for only a year, Efron Danzig, the artist, model, pro-skateboarder, musician, and poet, possesses a level of experience beyond her years. Having spent her formative years in the city before relocating to Philly, Efron's connection to New York runs deep. 

Her presence embodies a certain downtown essence that is both elusive and immediate, effortlessly exuding authenticity and individuality. A muse for the modern generation of New Yorkers in search of genuine self-expression and identity.

Efron Danzig Efron Danzig

"I was always a weirdo though. I think I always had ideas but didn’t know how to communicate them until I was much much older. I was super antisocial at that time, then when I was 16 I started going out and making friends, going to shows. The shows really got me out of my shell. I wanted to find other ways to express myself. So I just tried out stuff to see what I liked. A few have stuck with me over the years."

Efron Danzig Efron Danzig

photography DANIELLE APHRODITE
interview by PAIGE SILVERIA
styling CAITLAN HICKEY
talent EFRON DANZIG - Midland Agency
hair JOHN NOVOTNY using ORIBE
makeup JEZZ HILL
photo assistant EMLYN MILEAF-PATEL
fashion assistants DYLAN ANDREWS, CASSIE JEKANOSKI
creative producer OLIVIA ROPER-CALDBECK
production assistants ABBY FALZONE, LIV SOLOMON
location 42N STUDIOS

Read the full article here.

Shot at 42n: Myha’la Herrold for Document Journal
Friday, April 28th, 2023

Myha’la Herrold pushes the on-screen envelope, redefining the antihero






“You’re not going to get me in trouble, because you want me to sing at Mass.” Myha’la Herrold sits at the desk of her hotel room in Wales, with its shitty WiFi and view of the bay, reminiscing on Catholic school. It was a “mutually beneficial relationship,” she says, through which she was afforded an excellent arts education, the scholarship to make it happen, and a free pass to breach dress code. In exchange, the diocese’s optics: brochures and handshakes, the parading around of a very talented Black girl.

“In a lot of ways, especially in an image sense, the school needed me,” Herrold says. “I felt very much like a token.” She took up jazz band and rock band and choir, starring in theater productions both out of passion and in the name of a lifelong game: to study drama at the school of her choice—ultimately, Carnegie Mellon—in the hopes of fulfilling her calling as an actor. She moved from San Jose, to Pittsburgh, settling post-grad in Brooklyn, where she landed her first adult role: Harper Stern of Industry, an HBO drama that follows the personal and professional trials and tribulations of aspiring young traders, as they compete for employment at one of London’s most prestigious investment banks.

Read the rest of the article here.

Shot at 42N: Eartheater for Puss Puss Mag Issue 17
Wednesday, April 12th, 2023

 






Buy the issue here!












Shot at 42n: Dove Cameron For Interview Magazine
Monday, April 10th, 2023

Dove Cameron and Alan Cumming on Sex, Sleep Patterns, and Schmigadoon!

Photographed by Richie Shazam
Styled by Briana Andalore


Alan Cumming’s electrifying performance in 1993’s Cabaret held a global theatrical audience hanging on his every note. Dove Cameron wasn’t born until three years later, but like so many nascent theater nerds, she eventually fell in love with the film, too. “You were just this unbelievable, unfettered, feral expression of feminine and masculine sensuality and power and submission,” she told Cumming, her co-star in the trippy musical comedy Schmigadoon!, over Zoom last month. Filming the show, whose “frenzied” second season premiered on Apple TV this week, the two have become close friends, bonding over boys, politics, and their shared love of all things camp. So, before Cameron went back into the recording studio to finish up an album that’s been gestating since her singles “Boyfriend” and “Breakfast” exploded online, she took a beat to field questions from Cumming about her winding path from Disney-blonde child actor to full-fledged pop star. Below, the two enjoy a serious and occasionally bawdy chat about meditation, Cameron’s world-beating career ambitions, and why kids just aren’t having enough sex these days.




DOVE CAMERON: Hi.

ALAN CUMMING: Hello, lovely. How are you?

CAMERON: Is that a bald cap?

CUMMING: No, this is my real head.



CAMERON: You’re lying.

CUMMING: I shaved my head. Look.

CAMERON: You let them do that?

CUMMING: I had to for my art, my darling.

CAMERON: For your art.

CUMMING: I wear a toupee in this film, so there’s a scene when I had my toupee off and so I had to shave it yesterday. Thank God I was able to keep it until the Oscars party.

CAMERON: Well, I was going to say, your hair looked fabulous the other night.

CUMMING: Well, it was all shaved underneath. Did you have a good time after I saw you?

CAMERON: Yes.

CUMMING: Coy smile.

CAMERON: But we shan’t talk about that now.

CUMMING: No, I’m glad your needs are being met.



CAMERON: I miss you already.

CUMMING: I know. When are you coming back to New York?

CAMERON: In literally four or five days.

CUMMING: I want to ask you, as a top international, probing journalist. How’s your album coming?

CAMERON: Wow, he’s so briefed on the questions. My album’s coming great. Right after we get off this interview, I’m headed straight back into the studio. You get a new song that you love and then you top it the next day and then you decide that the old ones are trash. So it’s just about finding enough.

CUMMING: So why haven’t you had an album up until now?

CAMERON: That’s a good question. I mean, I really only started writing regularly around the time that “Boyfriend” came out. And it was the first song I ever sat down to write in terms of forming a project.

CUMMING: I remember when we were shooting and you had the little thing on your phone and you could see the downloads, the streams, and it was like a epileptic fit-inducing thing.

CAMERON: Every 30 minutes you go, “How many streams are we at now?”

CUMMING: I loved it.

CAMERON: You love it. You’re my manager.

CUMMING: Totes. So I’m going to tell you my sort of interpretation of what’s happened to you.



CAMERON: Okay.





CUMMING: So you were a child actor, a young person, Disney things. And then you were segueing into being a grownup actor, and this sort of pop thing exploded. Are you in a funny state because it’s gone in a completely different direction? Or was this your evil plan all along?

CAMERON: No, I think I’m in a funny state, if I’m honest. I always wanted to do music, but I think by the time “Boyfriend” took off, I had kind of made peace with the fact that it was never going to really do what I hoped. I had it in my mind that if I was going to have a music career, it would’ve been when I was on Disney. So I was just kind of enjoying my time making music, with no plans for what would happen. I was signed to a label, but I was sort of making peace with the fact that I wasn’t ever going to be on the stages I had hoped to be on when I was younger.

CUMMING: Right. And then shit hit the fan.

CAMERON: And then the shit hit the fan. And I sort of had to scramble to learn how to be a music artist while I was also out promoting the records, which is sort of the backwards way to do it.

CUMMING: People know you from the “Descendants” films, so there’s a special connection they have with you from a child-like thing. “Boyfriend” must have changed the whole… I guess that audience has grown and are now your music fans.

CAMERON: Yeah, I just knew there was this expectation from parents and from young kids that knew what the image of Disney was. I grew up knowing what it is. Everybody knows what it is. So, it’s kind of easy to fall in line with it because it’s not a mystery what people want from you. I needed to be a certain archetype of young women.

CUMMING: Did you feel squashed and constrained by that?

CAMERON: I just sort of looked at it as “this is my job.” Almost like when you’re representing a firm or you’re living under your parents’ roof, you just know what’s expected. So I didn’t feel squashed by it. I just knew that there was going to be a day when I stopped doing that. I assumed that people would see through it a little bit into sort of the parts of me that people see now. I didn’t know this at the time, but I felt very repressed and I didn’t know what my expressed self would be because I’d never dared to explore that. But once I started to find it and I lost the blonde hair, then “Boyfriend” came out and I came out of the closet. All of those things happened at the same time, as big moments of self-discovery tend to.

CUMMING: Yes. That’s when we got to know each other. And I remember being over in my hotel room having dinner with Ari [DeBose] and Kristen [Chenoweth] and and I remember you wanting to talk a lot about being bi. You were really searching and trying to find who you were in a funny way. And then it all sort of happened.

CAMERON: That was a huge transition personally. I had gone through a big breakup with a man.



CUMMING: That Scottish boy, yes. We won’t talk of him.

CAMERON: I had never even thought about living my life queer because I was so in love with men publicly. And so I think it all happened exactly as it was meant to, just one right after the other. But I think it was a big culture shock for other people.





CUMMING: So then “Boyfriend” came out, and that was bonkers. Was “Breakfast” the next song that you’d written?

CAMERON: Actually, yeah. “Breakfast” was the one I wrote the next day, I think, which is why they sound kind of sonically similar. We took a long time to choose the next single. We shot a music video for “Breakfast” that was just very sexy and very “pop” girl. It was fun and I liked it. But then Roe v Wade happened.

CUMMING: I remember you sending me pictures from the set. So then when Roe v Wade happened and you thought, “Fuck that, I’m going to do something more political”?

CAMERON: It was when we were up in Vancouver and it was so fucking depressing. I felt so desolate and it was so heart-wrenching to see all of the news stories pouring in. Every day when I was at work felt like this little escape, except it’s hard to feel confident going out and living as a woman when you’re watching everyone’s rights being stripped away. So I didn’t want to just put out a music video that was something for people to watch for three minutes. I wanted to contribute to the narrative and make women feel that they could watch this video and have something to stand on, and feel like someone was creating with them in mind, right? Because I so often feel like music and film are forms of escapism. And I think that’s absolutely necessary. But it’s also important to not feel abandoned and neglected by that.

CUMMING: I think what you did was the mark of a true artist. You were affected by something and you decided to make your next piece of work some form of reckoning and protest about it. When I think about it, I’m so shocked by the lack of protests from the pop world during Trump. It’s really disturbing and disappointing. So I thought that was a brilliant thing you did. And how’s your love life?

CAMERON: How’s my love life? It’s good. I have many updates to tell you when we’re both sober and not doing an interview for Interview mag.

CUMMING: Okay. But it’s not a special person?

DOVE CAMERON: Not especially special. I would say there’s maybe a few potential special people.

CUMMING: Good. I’m glad you’re sewing your seeds and having fun.



CAMERON: I know you are.

CUMMING: I’m all for it. It’s so terrible. I feel like this dirty old man, but I’m always encouraging young people to have more sex.

CAMERON: I don’t think that’s dirty. I think that’s very kind.

CUMMING: I just feel some of you are not having as much as you should be having.

CAMERON: I think that’s cool for this generation especially, because people aren’t out and about meeting people and feeling the magic of the moment. I’m not encouraging any unsafe practices, but I do think—

CUMMING: Yeah, there’s been some extenuating circumstances.

CAMERON: Well yeah, some people were isolated. I think we all need to be a little bit more connected.

CUMMING: That’s absolutely true. So, what’s your day like? What do you eat and what do you do? Talk me through it, Dove Cameron.





CAMERON: I never wake up at the same time. I can never get a sane sleeping schedule, but I feel like that’s just all of us, isn’t it?

CUMMING: Are you sleeping better?

CAMERON: Kind of, yeah. I think that anxiety is the thing that keeps me up. I think I’ve told you this.



CUMMING: Yes, you did.

CAMERON: Yeah. I think as long as I make sure I get outside during the day, as long as I’ve had a full day where I feel creatively expressed, and as long as I do a good wind down, I’m better. But it really is dependent on my mental health, because when you’re depressed you don’t leave the house and then you don’t get the proper sunlight and then you’re all off course. But I’ve been good.

CUMMING: Do you meditate?

CAMERON: I try to. I think you meditate a lot more often than I do.

CUMMING: I don’t do it as much as I should. But I really think about it. Yoga is a good sort of meditation. I’ve got back into my sort of gym thing with my virtual trainer. He’s a real person, but I just don’t see him. And just having a regular time when I’m not on show, when I’m not doing things for other people or working. Even if it’s going down to the hotel gym or just doing yoga in my room, I really think of that as my time and something special.

CAMERON: I find that when I go to the gym every day, I have to stop halfway through because my brain is so flush with new ideas because of all of the chemicals that the exercise is giving me. I write like a mother fucker when I’m working out. When I’m working out, I could write a whole fucking book in a night.

CUMMING: That’s funny. Do you feel like you have too many ideas?

CAMERON: Absolutely. I have way too many ideas. That’s part of why the album process is taking a long time is because I just want to do so much.





Finish the article here.


Shot at 42n: Princess Nokia - Lo Siento
Friday, March 3rd, 2023

 


    We are proud to present Princess Nokia's new Single, Lo Siento.  Shot at 42n, showcasing the beautiful natural light at the studio.  Special thanks to Directors Travis Libin and Robot Moonjuice as well as DP Forrest Erwin.

Shot at 42n: Hannah Jadagu - What You Did
Wednesday, February 22nd, 2023

 


    We are super happy to have worked with Hannah Jadagu and her team on this amazing video.  Special thanks to Director Leia Jospe and DP Hunter Zimmy.

Shot at 42n: "Brendan Fraser and Freddie Prinze Jr. on Trauma and Transformation"
Tuesday, November 29th, 2022


Everyone loves a comeback, especially when it belongs to Brendan Fraser. The 53-year-old actor was in matinee idol mode around the turn of the millennium, when some box-office duds combined with a sexual assault incident he’d keep private for over a decade (Fraser alleges he was groped by the former president of the Hollywood Foreign Press Association), led to him mostly retreating from public life. Then came Darren Aronofsky’s acclaimed drama The Whale, casting Fraser as a 600-pound shut-in looking for one last chance at redemption, a risky and rewarding role that has everybody talking Oscar. As he gears up for awards season, Fraser connected with his longtime pal Freddie Prinze Jr. to try and make sense of it all. —CHARLES BRAMESCO 


BRENDAN FRASER: So good to see you! 

FREDDIE PRINZE JR.: You too, man! I wish I could give you a big hug right now, brother. You deserve one. 

FRASER: From across the cyber waves. 

PRINZE: Yes sir. Are you on the East Coast? 

FRASER: Yeah, I’m home in Bedford. 

PRINZE: It looks pretty there. 

FRASER: It’s the autumnal season, so that means beautiful leaves. 

PRINZE: Sarah [Michelle Gellar, Prinze’s wife] is in New York right now, and she sends her love.

FRASER: Right back at her! 

PRINZE: Okay. So first things first, we’ll get all the blowing smoke up your booty out of the way. I spoke to you after I saw The Whale and told you it was the single most beautiful piece of art that I’ve ever seen. I don’t even remember driving home when the movie was over. I had to pull over at one point and cry a little more so that I didn’t crash my car. It hit me unlike anything ever hit me before. 

FRASER: Freddie. 

(CONTINUED)

Read more here.

More construction pics!
Wednesday, March 23rd, 2022

 





Construction Begins at 42n
Wednesday, February 16th, 2022

     


We are excited to announce that the lease has been signed and we are about to embark on (at least) a 10 year journey into making amazing things happen.